1992 Primal Scream S.F.X. Centre Dublin

Primal Scream SFX 1992

When I entered the venue the atmosphere was good. It seemed like this was a party and we were all invited. People gathered in friendly circles grooving to the onstage DJs and anticipation of the main act dissolved into a celebration of what the DJs were feeding and reflecting from the crowd. Most of the audience were the same age or older than me – early to mid twenties. The hall was full but it was easy to get around and I got close to the stage. It sounded. The Primals strode out and swamped straight into Step inside This House – it was classic first song as instruction/manifesto/dare.  Thrilling. They were so tuned in to where the audience was at that point - how the audience had been led to their entry point - that the song/gig was a seamless continuation of the party - the effect was mesmerizing.

There was a definite feeling of being “in the moment” from all corners of the room and it was no effort to maintain it.

Innes and Young in rock guitars bookended Gillespie in black and red who channeled and transcended the piece – his feet barely touched the ground for the hour or so – exhilarating stuff.

Don’t Fight it feel It. Come Together. Higher than the sun. + more. They encored with No Fun or was it Cold Turkey (or both? And was it Oakenfold on the sounds?)

The atmosphere remained loose and spacious throughout the gig -it was so unusual to not have to push and be shoved and to be able to dance with space around you.

Up to that point I’d spent my money on Come Together and Higher than the Sun but not on the LP. I ensured however, that I had a ticket for this gig – there had been glowing reports of the show- not that it was a “show” as it would be 20 years on - it was just the Scream live in Jan 92 and right then that was the eye of the hurricane.

1962 & 1982 The Beatles

1981 Records of the Year

LP

The Stranglers  La Foile

The Human League  Dare

Siouxsie and the Banshees  JuJu

Soft Cell  Non Stop Erotic Cabaret

U2 October

The B-52’s  Party Mix

The Psychedelic Furs  Talk Talk Talk

Brian Eno David Byrne  My Life in the Bush of Ghosts

Elvis Costello and the Attractions  Trust

Grace Jones  Nightclubbing

The Gun Club  Fire of Love

45

The Undertones  It’s going to happen + Julie Ocean

Madness  Grey Day

The Clash  This is Radio Clash

New Order  Ceremony + Everything’s Gone Green

Tom Tom Club  Genius of Love

The Jam Funeral Pyre + Absolute Beginners

Queen & David Bowie  Under Pressure

Blondie Rapture

The Specials  Ghost Town

Laurie Anderson  O Superman

Depeche Mode  New Life + I just can’t get enough

1981 Films of the Year

Christiane F

Cutter’s Way

Escape From New York

Excalibur

The Evil Dead

Fort Apache the Bronx

Halloween II

Mad Max 2

On Golden Pond

The Postman Always Rings Twice

Scanners

Southern Comfort

Whose Life is it Anyway?

1991 Band of the Year Ride

1991 Films of the Year

Boyz n the Hood
Bugsy
Cape Fear
Close My Eyes
The Company of Strangers
Death in Brunswick
The Doors
The Fisher King
The Hard Way
Homicide
The Indian Runner
Johnny Suede
Journey To Knock
Let Him Have It
Life is Sweet
The Linguini Incident
Little Man Tate
Meet the Applegates
Rambling Rose
Rush
The Silence of the Lambs
Slacker
Terminator 2: Judgement Day

1981 45 The Jam Absolute Beginners

1991 Morrissey covers Weller

1981 LP The Human League Dare

2001 Albums of the Year

Air 10000hz Legend
The Beta Band  Hot shots II
Bjork  Vespertine
Beachwood Sparks  Once We Were Trees
Gorillaz  Gorillaz
New Order  Get Ready
Pulp  We Love life
Radiohead  Amnesiac

1991 45 The House of Love The Girl With The Loneliest Eyes

1981 45 Laurie Anderson O Superman

2001 Band of the Year Asian Dub Foundation

1981 comic Battle

1971 Films of the year

1971

And Now For Something Completely Different

A Clockwork Orange

The French Connection

Get Carter

Harold and Maude

McCabe and Mrs. Miller

Play Misty For Me

Psychomania

Walkabout

Willy Wonka and the Chocolate Factory

2001 September the eleventh

1991 Feile, Thurles, Co. Tipperary

1981 band of the year Soft Cell

Back in the days when everything wasn’t available instantly, my friends and I would share our music. If you made a new friend you usually discovered a new band. 

I knew Soft Cell from their run of singles in 81-84 and always liked them. 

In the summer of 84 through the enthusiasm of a friend who held much more than my casual admiration for them, I had their entire catalogue at my disposal. 

It was a rich listening experience, a gritty gaudy pop arty tarty steampipe synthesized jangly gothic comic freakout.

Marc Almond sounded compulsive, intense, constantly on the brink of breakdown/insanity – his hilarious half improvised song poems soundtracked by Dave Ball’s thumping crisp arsenal of machines invented in the 70s. 

So much of it resonated, the melancholic manic absurdity of his reflections on youth and modern society. 

I was particularly fond of Where The Heart Is and its b side It’s a mug’s game and Soul Inside also was a great late single of theirs.

Album wise though, their debut takes some beating. It has an almost clinical everlasting freshness and bounce to it. 

The sleeve evoked New York, after dark, make up, Soho, drugs, loud clubs, twilight. The songs relived suburban boredom, secrecy, underground hedonism and heartbreak.

Marc’s sexuality didn’t resonate with me at all. I liked his look esp the Spanish goth bit and the bangles but it was the 90s before it clicked that he was gay which seems shortsighted now but I really was quite literal with my interpretations of his lyrics/female backing vocalists. It made sense that he was gay but from my point of view neither here nor there.

I remember listening to it on a Walkman in 1984 wandering near square concrete buildings and again in a park in London in 1988 feeling nostalgic for 1984/1981 huhhh - at 17??. 

After this album they were determined to have a dense sound, imprint more of themselves onto it - to dirty it up maybe to get away from the stark crisp brilliance of their debut  

what they said in 1981:

“Soft Cell offer up a glibly conceived ride through a funhouse of fetish and kink” - New York Rocker

“some of the most dispassionate songs since Transformer, some of the cruelest criticisms since vintage Zappa, and some of the most pathetic posturing since Queen. Pop at its most potent. Pop at its most pointless” Melody Maker 

“Soft Cell have provided the reason for shouting eureka!, whether in the bath or not” – Sounds

 

1981 45 Fire U2

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An annoying notion often flung around since the late 80s is that U2 didn’t have a hit single until New Year’s Day in 1983 or even Pride in 1984. Granted, the goalposts changed considerably for them through the 80s and the success of The Joshua Tree inevitably dwarfed any early achievements. 

However, if you’re particularly fond of these early achievements you tend to resent them being misremembered/labeled incorrectly e.g. Fire, their 6^th single released in Aug 1981 was a hit.  It reached no. 35 in the UK charts, they appeared on Top of the Pops, ah c'mon lads is that not a hit?

I was watching the show in my cousins’ house in Enniscorthy and when they appeared I remember being excited and aware of its significance – that it was the first hit single by a new Irish band since the Rats or Lizzy. The Rats had been appearing on TOTP since 77 which seemed a lifetime ago to me (cos it nearly was). There was more to it- of which I was barely aware - they operated from Ireland and were distinct. Here they were on Top of the Pops – result.

 I already knew I Will Follow and Out of Control from the radio, Boy was floating around on a reel to reel tape that summer and October was snapped up by my brother in, um, October .

Fire was shuffly and mildly explosive - not a classic song but punctuated by several distinct moments that could define their sound. For a ten year old Irish music nerd it was ground zero.

 

 In my mind when Gloria, the next single came out, they were elevated to great heights. In reality they weren’t – Gloria stalled at 55 and October got middling reviews. I was blissfully unaware of this as my media filters were mostly Irish – RTE bigged them up continually (correctly). In 1982 BP Fallon did a 2 parter of his BP Fallon Orchestra on them on Radio 2, I thought ooh, they’re getting big now. Gloria and Fire were unofficial anthems to young teenagers at discos throughout Ireland for the bones of the 80s. You did a kind of backwards roundabout feet together bumpy bop to it and I'll still drag it out when I need the heat. Gloria remained prominent in their set till the late 80s but Fire died out much sooner. All spent with nowhere to grow -there was no trace of it on their 80s singles compilation in 1998- talk about too much perspective, boys. 

https://www.youtube.com/watch?v=-ekYhy2ybRM 

2001 real life Western Australia